Wednesday, June 9, 2010

Gba Emulator Fire Red Cheats



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INDEX Space Menosuno /
Exhibition Sauer Who is Benjamin?
Other Spaces /
Sound Art Encounters
Signer and PHotoEspaña Eroma
Class + jam contact
Interactive? '10
Starter + Dorkbot
Call /
Scholarship Madrid artists in European centers
ART MADRID 11
Calls Menosuno /
Menosuno Homes
videoart workshop Projector 10
Masuno in Scene
Covers 03
Menosuno Members Area

//////////////////////////////////////// SPACE Menosuno //////////////////// / /
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Dates: Until June EL20
" Who is Benjamin Sauer?
Benjamin Sauer and Patricia Sandonis

At the time of the network, social networks are in full swing, and each user creates his profile defined by sex, age, nationality, hobbies, sexual orientation, profession and others inserted into your network of friends or contacts. This set of features can be managed in different ways: hide behind an alias or corporate image, post it without reservations or restrictions for work or give a more personal ... The information is distributed each more or less under control, in some cases to hold dyes exhibitionists.

But you really have control over the creation of that identity and access to information that constitutes it, that is, images, actions, friends, contacts, etc..? And to what extent is self reflected in the cluster of information? These and other questions are presented in the proposed Sandonis Benjamin and Patricia Sauer, which one of the artists on display creating a Baroque identity that pervades the exhibition space. In this case, all the content displayed on the person is the one that is really puzzling and does not seem to answer the key question: Who is Benjamin Sauer? Queralt

Lencinas

Sauer Who is Benjamin? speaks of the unknown individual.
What with all the information a person creates with his actions?
How many times have been recorded by security cameras and where are these images?

These and other questions are what we consider to start this project, deciding to create with all this information a new landscape for this individual, as a field where there is no other horizon than oneself, trapping the person in his own image.

Based on the draft Benjamin Sauer Collect, divide, remix, we propose a new vision of the information overload associated with a single individual to build post your personal landscape.

Benjamin and Patricia Sauer Sandonis

Menosuno Space

C / Palma 28
Madrid
+ info:
http://www.espaciomenosuno.com

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9 and June 10 meetings

Sound Art
in The House On, between 17h and 21h

Closing the sound art exhibition Lit House are conducting meetings with artists and activists in the field. I spent the agenda for the next two days:

Wednesday 9

Table 1 .- Sound Art and University (Marta Cureses, Bartolomé Ferrando, José Luis Carles) Moderator: Miguel Álvarez-Fernández

will address the peculiarities of the English university system, currently in transition, unable even to provide a clear and comfortable accommodation for the study and investigation of sound art. The discussion aims to address the different perspectives that can be projected from areas Musicologíao analysis as art history, and from the teaching of Music and Fine Arts. We will also refer to the initiatives of the university within so far.

Table 2 .- Models and strategies for the dissemination of sound art productionand (Javier Piñango, Rubén Gutiérrez del Castillo, Adolfo Nunez, Xabier Erkizia ) Moderator: Ferrer-Molina

The various festivals and centers dedicated to creating greater or lesser extent to sound art throughout the English state models represent very different from productionand gestió n which, in turn, involve profound implications for aesthetic, social, political and perhaps generational. This panel will confront these different perspectives, we will discuss about the various ways of channeling public support (in a state level, regional or municipal) to the events associated with sound art, and analyzed , the sustainability of different models currently in force.

Thursday 10

Table 1 .- Areas for sound art (Concha Jerez, Maria Andujar, Abraham Rivera, Guillermo Lorenzo) Moderator: Ferrer-Molina

Through the experience from the artistic and curatorial practice and theoretical reflection on these issues, this table aim to address some of the problems resulting from the practice of sound art, spaces of representation, exhibition, standing, as its transdisciplinary nature often find great difficulty in their presentation in conventional institutional frameworks.

Table 2 .- Distribution , sound art criticism recepcióny (José Manuel Costa, Juan Lopez-Gil, Pedro López). Moderator: Miguel Álvarez-Fernández

As the last link in the chain that tries to unite the artistic production with their potential audiences, and closing the meeting, from this table intends to reflect on the problems of the criticism difusióny English sound art, both inside and outside our borders.



Lit House Ronda de Valencia, 2
www.lacasaencendida.es

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Thursday June 10 Roman Signer and PHotoEspaña

in Slaughterhouse Madrid, 21h

installation by Swiss artist Roman Signer. It is about 10 video works in dialogue with the fire and an installation specifically for the program works and PHotoEspaña Open x 2010.

addition, at the same time will open the exhibition Best photography books year and will take place 22 hours Open DJ night: Bring your favorite song action by the Colombian artist Carolina Caycedo in neighboring restaurant Kukaramakara (C / San Evaristo, Pico Handkerchief). For this action, you must bring your mp3 player, i-pod or mobile phone and share your music. Slaughterhouse


Madrid Paseo de la Chopera, 14
www.mataderomadrid.com


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Sunday June 13 Class + Jam of contact

Temporary Space

This Sunday June 13 Class + Jam
Contact Hours: 17 to 6:45 p.m. Price: 15 euros (including jam)
If only come to the Jam:
Hours: 19 to 21h Price: 3 euros.


RECOMMEND TO GET 15 MINUTES BEFORE THE BEGINNING POINT IN ORDER TO START SO THE CLASS AS THE JAM

to attend the class must call in advance.

The jams and the class will be held on 2 nd Sunday of each month continuing until the summer.

Classes will focus on the fundamental principles of contact: listening, streaming and weight.
We will use a technique based body yoga for exercise and well connected with our reality, the present, the here and now. When I'm focused I get free dance, I move slightly without imitating a model, a movement arose spontaneously, do not look authentic, at least I expect it, it just comes .. I'm ready to dance with another ...

Another tool that will help us be allied massage as a means to know our Anatomy and that of others, recognizing my limitations and accept them to work with the weight in a fun but safe.


Temporary Space
c / Loreto y Chicote, 3 (meters Callao and Gran Via)

www.espaciotemporal.es

for more information please contact Raul:
raulcontact@hotmail.com
600 41 November 1959 (send sms)

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7 to June 23
Interactive?

'10 at Medialab Prado

MedialabPrado international workshop held Interactive ? '10: Neighborhood Science of 7 al 23 June 2010 , which will be developed collaboratively ten projects selected through an international call. These proposals seek to collect and put into action colaboracióny urban knowledge networks in the local environment, using software and hardware technologies and methodologies free do-it-yourself (DIY) or "do it with others "(DIWO). Teachers

workshop Platoniq , Douglas Repetto, and equipment force formed by Andrés Burbano , Alejandro Araque , Alejandro Duque Alejandro Tamayo and . Participants: Massimo Avvisati, Pablo Ripoll, Yago Torroja and Gustavo Valera.

Medialab Prado
c / Alameda
+ info:
http://medialab-prado.es

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From June 7

Starter Off Limits

Starter , group exhibition of art, science, tecnologíay communities, held in collaboration with the Embassy of Colombia in Espanaye Medialab Prado.

Participating artists: Alejandro Araque Mendoza, Alejandro Duque, Alejandro Tamayo and Andrés Burbano.

+

Friday June 11, 1921 h

MADRID

Dorkbot Meeting of artists, engineers and general public interested in what they call "electronic art" in the broadest sense of the term. In this session participants Alejandro Duque, Douglas Repetto and Brian Mackern.


This activity takes place within the framework of the exhibition Starter # 2 in collaboration with the Embassy of Colombia in Espanaye Medialab Prado.


Off Limits w / bracket, 11
+ info:
www.ophelia.es / Fedon

////////////// ////////////////////////////////////////////////// MEETINGS //////////// / /
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Until June 17
Madrid Scholarship for young artists to develop their projects in European centers

The Madrid Madrid scholarship for young artists to develop their projects European centers

- This new initiative is launched in collaboration with relevant institutions in Berlin, Rotterdam and London.
- The goal is to project the locals more artists youth.

The Directorate General for Youth of the Community of Madrid, with the aim of promoting cultural and artistic development of young people in the region, awarded six scholarships this year to six young artists in the field of visual arts to develop their artistic project in the prestigious European international reference centers GlogauAIR Berlin Gasworks Duende in Rotterdam and London.

The amount of scholarship will be of 7,500 euros per pupil in the case of Berlin, 5,000 euros in Rotterdam, and 8,000 euros for London. Four scholarships are awarded to the center of Berlin, and one for each of the two other centers in Rotterdam and London. Interested parties may apply for aid until next June 17.

With these grants, the Community of Madrid goes a step further in promoting opportunities for screening of younger artists Madrid. It has established agreements with public and private sources prestigious in Europe to allow six young artists develop their art project in a professional environment, surrounded by other artists.

Among the requirements that must be met participants wishing to attend these scholarships are: being born or resident in the Community of Madrid, an age not exceeding 31 years and proof of academic training ; mica in the field of visual arts through an official certificate or demonstrate at least two years of professional experience in the world of the arts. The rooms have a maximum duration of three months and will be initiated and completed in 2010.

information about these grants is available in www.madrid.org, where you can access the electronic download of applications in section Services and Procedures, as in the young portal Community of Madrid, www.madrid.org / Inforjoven. Those interested should submit their application within 15 calendar days from the day following its publication in the Bulletin Official Community of Madrid (BOCAM, June 2).

+ info:
http://www.madrid.org

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Until September 30
ART MADRID 11

is now open enrollment period for participation in Art Madrid 2011

Applications may be submitted until 30 September. The fair will be held from 17 al 20 February 2011 in the Glass Pavilion of the Casa de Campo de Madrid. Art Madrid's proposal for 2011 will focus on making a quality trade show aimed at English Contemporary Art.

Therefore, and with the aim of increasing the level exhibition, all the participating galleries will be accepted by a new selection committee. Addition the Committee will be mostly external the organizer of the fair.

Art Madrid has chosen a policy of price freezes, keeping the rate of previous editions for the overall program.

program also keeps Young Art, which for this edition will have an independent artistic advisor. This program is designed for galleries with less than 5 years or which have a single artist under 40 years.

+ info:
art-madrid@art-madrid.com
http://www.art-madrid.com/artmadrid11/boletines.html

////////////////////////////////////////////// Menosuno MEETINGS ////// / /
border="0" align="baseline" /> 5-11 JULY 2010
Video Art Workshop \u0026lt;New exhibición> media

PROJECTOR 2010
Menosuno Space

Days: 1905-1911 JUL 2010
Duration: 6 days (Monday to Saturday), 30 hours.
Hours: MF 16-21pm. S 10-15h.
Capacity: minimum 4 - maximum 15
Price: 90 euros / 72 euros Menosuno space partners
Reservations: proyector@mariogutierrez.com / / 0034 655.48.39.11

Introduction: Introductory Workshop
Drigo video art to people with prior knowledge of the environment or not. Understood as any audiovisual medium to use the image, time and space to express themselves. This course will present "roughly" and in a short period of time necessary tools to understand the environment, and allow you to develop an audiovisual final.

Requirements:
- Be interested in experimenting with new media, especially video.
- suggest to have its own camera or camera phone and a laptop ready. + The consumables will be paid by students (videocassetes mini dv)

Objective:
Give the student the necessary tools, both theoretical and practical, to find the middle of the video, its history and stages of production. Concluding with the experience of creating an own video and submit it in a specific environment.

Content:
The course is divided into 3 sections per day.
- Theory: Analysis of video art, evolution and present, both nationally and internationally.
- Projected material: Review of the work of important contemporary video artists in separate disciplines and formats.
- Practice: Students will have direct experience with different stages in the creation of a video (pre-production, production, post-productionand presentation.) Acquire minimum technical knowledge of this art.

PROGRAM: DAY 1

. JUL 10

L05 1. Theory - Review since its inception, from 1965 to date, international - International Retrospective (video projection) - Different genres in the video (documentary, experimental, fiction, animation, etc.).
2. Projection \u0026lt;1. Analysis of work related to everyday life (environment, space, ride, city ...)>
3. Exercise 1.
4. Viewing
projects
DAY 2. JUL 10
M06 1. Theory - Handling the camcorder, types, media, formats. 2. Projection \u0026lt;2. Analysis of work related to the Video-Action performance, self-portraits.>
3. Exercise \u0026lt;2.>
4. Viewing
projects
DAY 3. JUL 10
X07 1. Theory - Basic operation of Final Cut Pro
2. Projection \u0026lt;3. Analysis of work related to: Film, Animation, Video Art eleaborado, scenery, humor, recycling of material ...>
3. Exercise \u0026lt;3. Animation, set design and humor>
4. Viewing
projects
DAY 4. JUL 10
J08 1. Theory - Basic handling of Sony Vegas.
2. Projection \u0026lt;4.>
3. Exercise \u0026lt;4.>
4. Viewing
projects
DAY 5. JUL 10
V09 1. Exercise-5. Personal Project>
2. Viewing of projects and preparation sample. - Advice final project - End of projects, preparation of the exhibition.

DAY 6. JUL 10 S10
1. Exercise Presentation \u0026lt;5> - Presentation of certificates

DAY 7. JUL 10
D11 1. Viewing
projects
TEACHER: Mario Gutierrez
Cru (Madrid, 1979) graduated at the Faculty Fine Arts UPV-EHU, audiovisual specialists. Title of CAP (Pedagogical Adaptation Course). A multidisciplinary artist, specializing in video installations, sound installations and interactive. Working as an artist, curator and creative advertising. Emphasizes the coordination of space Menosuno 2005-2010 (experimental art center in Madrid www.espaciomenosuno.com), the sample sound art and interactive IN-SONORA (www.in-sonora.com), the net project. CBA.NET art (www.circulobellasartes.com / cba.net) and in particular the timing of the sample English international video art DVD Project. (Www.dvdproject.org). + Info: www.mariogutierrez.com

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+ 10 655483911 info

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Menosuno

Call for projects and new disciplines scene


BASES 1. You can participate any individual or group, no age limit or nationality.
2. Projects will be judged by a jury composed of members of the association, and the number of projects selected for 2010 will vary.
3. The subject and discipline are free, are valued primarily for projects consistent with a high degree of experimentation.

5. Residential Commitment Menosuno:

to . Make available to the artist or group all the technical and human resources matters.
b . Provide an appropriate time, always in the morning to the residence before the artist by providing all the information on the operation of the room, delivery of materials, obligations ...
c . Develop a customized press release and disseminate the residents (Update web, prepare personalized e-mail and send to all contacts, currently over 2,500)
d . Menosuno residences does not cover any costs related to production, travel, subsistence, or any other idea you can think of, we have no money for it, sorry.

6. Commitment of the artist:

a. Know and comply with the conditions of the room, which is facilitarány must be signed in mutual agreement. B.
The resident will have to become a member of Menosuno space for a minimum period 6 months. That is, a fee of 12 € per month.

7. Documentation:
to . Personal and contact the artist, curator or group, and in this case a representative.
b . Report explaining the project with all the material necessary for the proper understanding of it (pictures, drawings, measurements, technical, audiovisual material, text ...)
c . All material is supplied in DIGITAL in a cd or dvd with the name contact the artist and his writings on the surface, or by putting EMAIL subject: Menosno Residences 2010 and artist name.

8. Presentation:
The deadline for submission of all documentation will be annual.

The shipping address is: Space Menosuno

c / La Palma, 28 28004 Madrid

(please do not send certified material)
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10. Return of applications: Residential Menosuno
can not take care of returning the material and therefore ask for it in digital format. All material received will be kept in order to be considered for future calls.

11. Participation in this summons means full acceptance of the bases.
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Annual
Masuno Scenario

2010 Call for Projects


BASES 1. You can participate any individual or group, no age limit or nationality.
2. Projects will be judged by a jury composed of members of the association, and the number of projects selected for 2009 will vary.
3. The subject and discipline are the body / movement / dance, will be valued primarily for projects consistent with a high degree of experimentation.
4. There will be three performances per project with a duration of 30 to 50 minutes. Day of the show two hours prior to installation and needs.

5. Masuno commitment stage:
to . Make available to the artist or group all the technical and human resources matters.
b . Provide an appropriate date for the proceedings before the artist by providing all the information on the operation of the room, delivery of materials, obligations ...
c . Develop a customized press release two months antelacióny publicize the event (updating the web, prepare and send personalized email to all contacts, more present of 2,500)

6. Commitment of the artist:
a. Know and comply with the conditions of the room, which is facilitarány must be signed in mutual agreement. B.
Meet the deadline, as well as the delivery of materials, assembly, disassembly. C.
30% for the room space vacíoy 10% to 60% gestióny advertising for the artist.

7. Documentation:
to . Personal and contact the artist commissioner or collectively, and in this case a representative.
b . Report explaining the project with all the material necessary for the proper understanding of it (pictures, drawings, measurements, technical, audiovisual material, text ...)
c . All material is supplied in DIGITAL in a cd or dvd with the artist and his writings touch on the surface, or by putting EMAIL Subject: Proposed 2009 and artist name.

8. Presentation:
The deadline all documentation will be annual.

The shipping address is: Space Menosuno

c / La Palma, 28 28004 Madrid

(please do not send certified material)
size="1"> escena@espaciomenosuno.com

10. Return of applications: Scenario Masuno
can not take care of returning the material and therefore ask for it in digital format. All material received will saved to be considered for future calls.

11. Participation in this summons means full acceptance of the bases.
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edit a catalog biannually self-produced (subsidized or paid by the artists themselves) and in downloadable PDF.

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